The last Allen American film for many years, Melinda And Melinda presents an interesting premise – can the same story be told as a drama or a comedy? And which has more value? Unfortunately, no answer comes along, and the film plods along and goes almost nowhere. An intellectual experiment, with little heart, it doesn’t […]
“A Lightweight Cartoon”: The Curse Of the Jade Scorpion – The Woody Allen Pages Review
So lightweight at times it threatens to blow away, The Curse Of the Jade Scorpion continues the run of disposable comedies Allen pumped out in the 00s. A bright, edgeless cartoon, it has many fun moments but the style and grace of the man who brought us Manhattan is nowhere to be found. Woody Allen […]
Mar News Bits 2: Wallace Shawn, Freida Pinto, Sam Mendes, Anthony Perkins, Adam Leon, Picking Up the Pieces, The Matrix and more
Our twice monthly round up of Woody Allen news bits from around the web. Wallace Shawn has appeared in over 150 films, and his latest is ‘Admission‘ with Tina Fey. He has also appeared in many of Allen’s films, but none more famous than in Manhattan, where he made a cameo as Diane Keaton‘s ex […]
“A Fine Absurdity”: Shadows And Fog – The Woody Allen Pages Review
Shadows And Fog is one of the strangest films in Woody Allen’s canon. It’s a 90 minute, black and white allegorical play about death and religion. Lucky for Woody Allen that by this point, it had been decades since he had to pitch a film to anyone. Woody Allen stars as Kleinman, returning to being […]
“A Deftly Flawless Work”: Radio Days – The Woody Allen Pages Review
Radio Days marks the culmination of everything Woody Allen had done to that point. Featuring plenty of Allen’s past cast, and mixes European feel, directing flair, old time entertainment, the documentary form and something very American into a great film. Woody Allen narrates an almost biographical story, about a child who grows up in the […]
‘Woody Allen’s Most Beautiful Film’: Manhattan – The Woody Allen Pages Review
Manhattan is Woody Allen’s most beautiful film. Beautiful in many ways. The stunning black and white photography. The lush and gorgeous score. And, of course, the set. The island of Manhattan, from bookshops to skylines. In the middle of all this, Allen plops some of his greatest characters, one of his greatest moral questions and […]